As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." The immediate effect was a heightening of reality in that everything I looked at took on an intensity That morning returning to school by bus, I remember the poplar trees were bare for winter but it took me years to paint what I saw. [1] He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States. Apart from the mirror portrait, this was clearly inspired by Matisse's Red Studio, with the colour transformed to Whiteley's favourite ultramarine blue. Stones staring at the ground (anywhere) Brett Whiteley 1979 100.1991.120. A foundational moment in Whiteleys journey occurred while he was boarding at Scots College in Bathurst, New South Wales, when, one Sunday, he found a book on Van Gogh at St Stephens Presbyterian Church: I picked the book up and studied it it completely changed my way of seeing. . 1927 Mrs Annie Murdoch by G. W. Lambert. After leaving school in 1956 at the age of 17, Whiteley worked in Sydney for the advertising agency Lintas. Works of art from the collection are reproduced as per the, Let me know when this portraits on display. Brett Whiteley - Artist (1939 - 1992) After winning a grant from the Art Gallery of NSW at the age of 22, Brett Whiteley set up residence in London where he amazed art collectors with his highly sophisticated paintings. 201-202, North Ryde, 2010, 202 (colour illus.). Jill Sykes, Look, 'Members events', pg. 7: BRETT WHITELEY, DAISIES, 1975 - 76. . Whiteley became active in the great peace movements of the 1960s, with the protests against America's involvement in the war in Vietnam. Jill Sykes, Look, Barry Pearces next book-call it segueing with intent, pg. In this clip from the 1965 documentary 'The Australian Londoners', Brett Whitele. The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. Portraiture shouldnt just be paint and canvas. Whiteley painted other images of the Australian landscape, including a view of the south coast of New South Wales after it had been raining called The South Coast after rain. Jennifer Phipps role at the time of publication was Curator of Australian Art. Barry Pearce, Australian art: in the Art Gallery of New South Wales, 'Landscape and gesture', pg. Thomas Keneally, Australia, 'Dead heart / live heart', pg. He died following an overdose of heroin in a motel in Thirroul, NSW in the winter of 1992. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Brett Whiteley, Self-Portrait in the Studio (1976) In 1976, Brett won the Archibald Prize for his painting Self Portrait in the Studio. I am trying to become a great man. [5]. Last modified on Wed 19 Oct 2022 10.16EDT, Original reporting and incisive analysis, direct from the Guardian every Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. 6-7, Sydney, 1981, 6, 25 (colour illus.). 165-213, Kensington, 1979, 204 (colour illus. The artist's face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger . Brett Whiteley self-portrait, Remembering Lao Tse (Shaving off a Second), 1967 [image link from artquotes.net] . Drugs and . 232-243, Sydney, 2000, 232 (colour illus.). Provenance: private collection NSW (gift from the artist c.1975). This article analyses art prizes and their judges, and this year's entries in the Archibald, Sulman, and Wynn competition. Critique of Whiteley. Open daily Growing up in Longueville, a suburb of Sydney, Whiteley was educated at Scots School, Bathurst[2] and Scots College, Bellevue Hill. Whiteley's intention was to portray the violence of the events, but not to go too far in showing something which people would not want to see. This article was edited by Sally White. Brett said he had wanted it to scare himself straight. [1]. 28-29, Sydney, May 1997-Jun 1997, 29 (colour illus.). Free entry, Find out what you need to know before visiting. There are two illustrations of `Self Portrait in the Studio' in this article. This article appeared in the `Art' section of the newspaper. 1976 Self Portrait in the Studio 1978 Art, Life and the other thing Wynne Prize 1977 The . 0 bids Ending Today at 22:53 AEDST 19h 16m Local pickup. 2023 John McDonald. ), 23. Brett Whiteley's 'Self portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. Ursula Prunster, Aspects of Australian art, Sydney, 2000, (colour illus.). He also showed his large T-shirt collection, and talks about his sculpture, which he said is an aspect of his work that many people do not take seriously. He was very much influenced by the peace movement at the time and came to believe that if he painted one huge painting which would advocate peace, then the Americans would withdraw their troops from Vietnam. Yet he would survive for another 14 years, fatally succumbing to his drug addiction in a motel room at Thirroul on the south coast of New South Wales in 1992. While in London, Whiteley painted works in several different series: bathing, the zoo and the Christies. He . 40, No. Brett Whiteley - portrait 1 1975 Greg Weight. 102-181, Sydney, 1999, 167 (colour illus.). In 1959 he was awarded the Italian Government Travelling Art Scholarship, which was judged by Australian artist Russell Drysdale at the Art Gallery of NSW. Terry Smith, Australian cultural history, 'Populism and Privilege in Australian Painting', pg. One image which uses van Gogh's style in a unique way is The night caf (197172). unknown author., The Canberra times, 'Sydney artist Brett Whiteley wins Archibald Prize', Ainslie, 22 Jan 1977, (illus.). The other title to this self-portrait is 'Self-portrait in exactly the spirit in which it was drawn. By townxycolter. Alec George, Look, 'Whiteley's 'inner paddock', pg. the attraction of drawing is that there is an immediacy and freshnessnot so much that its simple, or reduced its just brief, beautifully brief.Brett Whiteley, Difficult Pleasure. Gareth Sansom (born 19 November 1939) is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.. Best known for introducing new themes and subject-matter into Australian art and being one of the first Australian artists to be influenced by Pop art, particularly British Pop artists like Peter Blake, Allen Jones, Derek Boshier . 12, Sydney, Oct 2006, 12 (colour illus.). Warning: Smoking has been linked to some of the most powerful images of the twentieth century an MPRG exhibition. Brett Whiteley, AO was an Australian artist. In his younger years he was sent to boarding school in Bathurst and also Scots Collage in Sydney. What is your initial response to this artwork? He remembers the artist as vital and engaging, definitely one of the most imaginative and energetic individuals I have known. Photograph the space around you then draw or paint a series of sketches of this room and several items in it that are important to you. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). While he was a teenager, he painted on weekends in the Central West of New South Wales and Canberra with such works as The soup kitchen (1958). David Christian, 'At Lintas advertising agency, Sydney', c1956. 5, Sydney, 07 Jul 1992, 5. This appeared in the `Arts' section of `The Australian Supplement'. According to art writer Bruce James, the self-conscious inclusion of the austere pronoun 'IT' that also makes up part of the work compacts life, passion, death and faith in a single empowering word and unites the notional wings of an altarpiece to nascent addiction. Weight photographed Whiteley throughout the 1970s. 1 whit.jpg. Closed Good Friday & Christmas day Transmission films. 272-275, Port Melbourne, 2010, 3 (colour illus. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. This article looks at art reflecting society. The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. [17], On 15 June 1992, aged 53, he was found dead from opiate overdose in a motel room in Thirroul, north of Wollongong. SELF-PORTRAIT, 1977 BRETT WHITELEY. After meeting Bryan Robertson, the director of the Whitechapel Gallery, Whiteley was included in the 1961 group show 'Recent Australian Painting,' where his Untitled red painting was bought by the Tate Gallery. [4] In 1962, Whiteley married Wendy Julius. This is the same article that appeared in `The Saturday Mercury', titled `Whiteley gone but his great spirit lingers on', 20 June, 1992. Barry Pearce, Head Curator of Australian Art, Art Gallery of New South Wales said: 'this is an opportunity to bring together a selection of works influenced by, or in tune with, a special Asian aesthetic that began to infiltrate Australian visual culture during the 1960s, in particular the brushwork of Chinese and Japanese calligraphy. However Marlborough-Gerson, his gallery, refused to show the work, and he was so distraught that he decided to leave New York, and he 'fled' to Fiji. Clare Gervasoni and Susan Paterson, Catbuster: Art, 1994. cat.no. Whiteley's return to Australia in 1969 heralded a new preoccupation with colour and beauty. Look at these paintings and examine how Whiteley has given us clues to his identity. Barbara Konkolowicz, A different vision, Sydney, 1998. Published in Deutscher and Hackett: IMPORTANT AUSTRALIAN + INTERNATIONAL FINE ART, Braving Time: Contemporary Art in Queer Australia. The big self-portrait looking at himself in the mirror is extraordinarily honest in some ways. oil and hair on canvas The resulting work was called The American dream, an enormous work that used painting and collage and anything else he could find on the 18 wooden panels. In 1972-73 Whitley produced another monumental work "Alchemy", described by Pearce as another self-portrait but without the fierce political agenda of its predecessor. This article refers to Whiteley winning both the Archibald and Sulman prizes in 1977. He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. Subtitled; An extraordinary life. Difficult pleasure is how he described painting, or creating art stating, "Painting is an argument between what it looks like and what it means. Are you being ignored or judged? [20] On 7 May 2007, Opera House, (which took Whiteley a decade to paint, and which he exchanged with Qantas for a period of free air travel) sold for A$2.8million, in Sydney. Free delivery and returns on eBay Plus items for Plus members. TheCompanion is available to buy online and in the Portrait Gallery Store. It was written with unprecedented behind-the-scenes access, and illustrated with classic Brett Whiteley artworks, rare notebook sketches and candid family photographs. Through the 1960s he exhibited around the world as well as in Australia before the family returned to live in Lavender Bay on Sydney Harbour. Share on Facebook Share on Twitter. The artists face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger landscape. 174-195, Oxford, 2001, 190 (colour illus.). Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century Art', pg. He did paintings of the areas around Bathurst, Oberon and Marulan, all in New South Wales. Richard Cotter, Change and continuity; 20th Century Australian History, South Yarra, 1998, 177 (colour illus.). Elizabeth Fortescue, Daily telegraph mirror, 'Regarding Whiteley', pg. He sometimes took more than his body could handle, and had to be admitted to hospital for alcohol poisoning twice. Jill Sykes, Look, 'McCulloch's Encyclopedia', pg. 13: Brett Whiteley (1939-1992) Est: AUD60,000 - AUD80,000. The Brett Whiteley Studio, Brett Whiteley: Interiors, Sydney, 2001. Jenny Aland and Max Darby, Australian Artlook, 'A Timeline of Australian Art', pg. He painted a view of his friend Patrick White as a rock or a headland in Headland; White had told Whiteley that in the next life he would like to come back as a rock. Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. This exhibition brings to prominence Brett Whiteley's admiration for Zen philosophy through which a process of flow and focus was expressed in the act of drawing and painting. 6-33, Brisbane, 2004, 22 (colour illus. Get the best deals on Brett Whiteley Art Prints. Balmoral Brett Whiteley 1978. Elwyn Lynn, The Independent Monthly, 'Luscious Ornaments', pg. An astonishing exhibition. He won the Wynne Prize again, in 1984, with The South Coast after rain. He believed he had a gift he needed to share with everyone but couldnt escape his habitual self-centredness. Daniel Thomas., The Age, 'Desperate Beauty', Melbourne, 20 Jul 1996, 7 (illus.). Brett Whitely (Australian 1939-1992) Bio. The second painting has a completely different tone. 23, Sydney, 2008, 3, 22 (colour illus. 15 Jun 1992. The sculpture depicted on the right and others in the . For further information please contact NPG Copyright. David Shteinman, Philosopher, 'Tribute to a Dionysian Free Spirit. You entered the wrong email. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Self Portrait with Real Hair, 1977, ink and hair on paper, 76.0 x 51.0 cm, whereabouts unknown. unknown author., Adelaide News, 'Two top art prizes to Whiteley', Adelaide, 21 Jan 1977. Brett Whiteley - Portrait 2, 1975. photographer: Greg Weight. 30-35, London, 2013, 31 (colour illus.). He was the youngest living artist to have work purchased by the Tate, a record that still stands. He began a relationship with Janice Spencer, with whom he travelled to Japan, among other countries. 29-31, Sydney, 20 Jun 1992, 29-31. PROVENANCE. Sandra McGrath, Brett Whiteley, 'Lavender Bay: Optical Ecstasy', pg. Returning to Sydney in 1956, he starting working as a commercial artist in the studio of the Lintas Advertising Agency in Sydney, began life-drawing classes at the Julian Ashton Art School and occasionally joined John Santrys sketch club, through which he came to know the Australian landscape painter Lloyd Rees, who was a strong influence. In 1959 he won an art scholarship sponsored by the Italian government and judged by Russell Drysdale. In 2007 his painting The Olgas for Ernest Giles was sold by Menzies for an Australian record of A$3.5million. unknown author., The Australian, 'Under lock and key', Sydney, 19 Jun 1992, 11. 40 years Kaldor public art projects 1961-2009 World events timeline ART GALLERY OF NSW / Kaldor public art projects explorer / WORLD EVENTS TIMELINE the 1960s was an Open daily Melissa Phegan., Daily telegraph mirror, 'The passion and pain of Brett Whiteley', Sydney, 21 Jul 1992, (illus.). Brett Whiteley. Geraldine Pascall., The Australian, 'All the makings of a lovely brawl', Sydney, 21 Jan 1977, (illus.). Email clairem@ag.nsw.gov.au. Sandra McGrath, Brett Whiteley, Detail of 'Self Portrait in the Studio' on cover page of book, Pymble, 1992, cover (colour illus.). 'Windsor and Newton Deep Ultramarine oil colour has an obsessive, ecstasy-like effect upon my nervous system quite unlike any other colour. His paintings during these years were influenced by the modernist British art of the sixties particularly the works of William Scott and Roger Hilton and were of brownish abstract forms. [8] He took the van Gogh painting and stretched the lines of the room to a single vanishing point, creating an image which appears fast moving and extremely vibrant and dynamic. Brush and ink on brown paper 80.5 x 53.5cm. ), 231. plate no. 213-236, Sydney, Summer 1982, 235 (colour illus.). 'Appearing in the 'Time Out' section. Anne Ryan, Look, 'Drawn to the line', Sydney, Jan 2019-Feb 2019, 34 (colour illus.). Free delivery and returns on eBay Plus items for Plus members. This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. Gregory Weight/Copyright Agency, 2022, Greg Weight Mervyn Horton (Editor), Art and Australia [vol. A photograph of a youthful Brett Whiteley also accompanies this article. Do you feel you are watching the subject or is the subject watching you? Brett Whiteley was born in Sydney on 7 April 1939. This photograph was taken by Andrew Rankin. Anna Waldmann, Art and Australia (Vol. 9-13, Cammeray, (1995-1996), 9-13.
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